Manuela’s advice:
Tatyana & Denis
A wonderful act, fantastic tricks and beautiful music. And this is the moment, where a little minus comes in my commend. I don’t want to see, how to prepare the straps, I want to see they know, what the song is all about. For me its not enough, to be on rhythm – FEEL each other and listen what the music “tells” you. I don’t see . But this is really the only thing – otherwise – BRAVO – I LIKE IT!
Duo Focus
To advice this act, I needed to know, what the artists exactly did mean, when they created this act. Trick wise, it is okay, but not spectecular. My favorite is the end trick…they melt together and this is, what I would love to see the whole act. Music is very puristic and doesn’t help, costumes and make up? What is it, they want to be? To do Slomo is very difficult, needs a lot of strength and technic. Either they must do it really in every second, or leave it. Sorry for not having better comments! Hand on Hand too many on the market and to be one of the best….it is very hard work.
Anthon Mikheev
First – great artist – respect! I love the idea with the ball. To make it for ME perfect: Anton – FEEL something!!!! Your face is EMPTY, your body does all the tricks perfect, but YOU need to be ONE with your ball. I wish, I could show you. So much potential, someone needs to “find” it and show you. This act has for sure a good future.
Gromic
I’m honest. I didn’t laugh once. I’m sorry! A good comedian needs to have the perfect TIMING of each “joke”, which makes it to the most difficult acts to do. Each movement has to be 100% clear and placed. The “sound” you make – is for me nervid and not necessary at all! You need TRADEMARK, (Jigalov = Finger, Larible = red nose and make up, Fumagalli = Hairstyle, Housch-ma-Housch = Hairstyle) You need personality and good mime. I have to say – a lot to work on.
Alfredo & Anna
This kind of act, in my personal opinion, only is adjustable in a show, if she doesn’t speak. The question – can he see or can he really not see – will always be open, for the public. It looks of course more risky, as you can see the judge reacting, but… it interrupts the beautiful scenario of the act (costume, music is perfect). Choreography is an issue, they should get someone, to work more together as a loving couple. It needs a story!!! (She loves him, but he obviously – doesn’t) otherwise it becomes an act, like many others existing already
Alpha
Take all the drama out and focus on the fire! Too much of musik, costume and less “magician behaviour” would be very helpful, to bring the most important up to front -> the MAGIC!! Make the Assistent be part of the act!
Aleksandra Soboleva
4 stars for the juggling skill. For Varieté you are excellent, for me in a show?
No character, no “story”, no personality. I would make a “doll” out of you. A “beautiful” or a “scary” one. With a costume like steam punk and better music. A good choreographer could do the little “.” on the i
Mike Chao
I would just choose different musik. Yannis or Kitaro and match it more to your act. Music is half of the act and carries the act and art “out” to the audience.